msv 28535
 
cd image

 

TRACING LINES
PATRICIA ROZARIO / CARLA REES / FIDELIO TRIO

First recording of atmospheric chamber and solo piano works by South African composer Robert Fokkens, ranging from the abstract and universal (Nine Solitudes) to the overtly African-inspired, full of colour and vigour, the album also including the song 'Africa' set to texts by David Diop.

The Fidelio Trio is: Darragh Morgan (violin); Robin Michael (cello); Mary Dullea (piano)

CD DURATION:  71:24  

AUDIO SAMPLE: 'Mob of Meerkats' from 'Mammals of Southern Africa'




BUY IN THE UK:

£12.00


BUY IN THE USA:

$15.99


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tracks:
Tracing Lines
Darragh Morgan (violin), Robin Michael (cello)
Inyoka Etshanini
Carla Rees (bass flute); Darragh Morgan (violin),
Robin Michael (cello)
Mammals of Southern Africa
Fidelio Trio
Nine Solitudes
Mary Dullea (piano)
On Disruption and Displacement
Robin Michael (cello); Mary Dullea (piano)
Irreconcilable Truths
Darragh Morgan (violin); Mary Dullea (piano)
Africa
Patricia Rozario (soprano); Mary Dullea (piano)

review extracts: for full reviews click here
“[This] new disc is everywhere infused with the spirit of [the composer's] home country. The result is a musical surface full of capricious interest. There is never a hint of banality. Fokkens also extracts considerable traction out of seemingly unpromising musical ideas. A highly rewarding programme of music.” – Christian Morris (Composition Today)

“Fokkens's well-defined compositional voice combines native South African with broader international musical concerns. Fokkens has been well served over the last decade by a growing number of performers and ensembles committed to his work, not least those represented on this disc, who offer here compelling, sympathetic accounts of his development in the field of chamber music.” - Edward Venn (Tempo UK)

“This extremely appealing disc is the first devoted to the music of South African composer Robert Fokkens. it is clear that his identity as an African composer is very important to him, and there is certainly overt influence from traditional South African (especially Xhosa) music on his style. The main adjective that comes to mind when hearing Fokkens's music is "lucid"—the pieces are nearly all very transparent in texture and harmony, and yet there is great personality and individuality in the writing. Several of the pieces make truly beau­tiful use of microtonal elements, within an accessible and luminous sound world. Each of the seven pieces has something striking and compelling about it. Though it's still very early in the year, this terrific album is almost cer­tainly Want List material.” - Carson Cooman (Fanfare)